Swords and axes clash while Valhalla calls in T.L. Greylock’s epic norse inspired fantasy The Blood Tainted Winter.

The Story

“Raef Skallagrim wants to take the sea road. His ship is fast and sleek, his crew skilled and eager, and they will seek out new lands and win fame in the eyes of the gods. But Raef’s father refuses to allow the journey and when a stranger brings word that the king is dead and a gathering has been called to choose a successor, Raef must set aside his dream for his duty to his ancestral lands and his father.

When factions split at the gathering to choose a successor, Raef finds himself mired in bloodshed and treachery. Forced to make an uneasy alliance with a man he does not trust, Raef must navigate the tides of a war among three kings while seeking revenge for cold-blooded murder.

But winter has come early to Midgard, and even the gods will feel the cold.” – Goodreads blurb

This is my first review for Self-Published Fantasy Month 2020 and I chose a great book to lead off with. I mean c’mon, who doesn’t like Viking stories? OK, fine I’m sure some of you don’t like Viking stories but whatever. I like Viking stories and that’s what matters today. More importantly this book has more going for it than just being a Norse inspired tale; it’s a story of betrayal and revenge, love and trust, friendship and enemies…with fierce battles and Norse gods thrown in for added fun.

As I already said, I  was excited to dive into this Norse inspired read. I can’t say I know a ton about Norse lore (um…next to nothing really) so I have no idea if Greylock got her stuff right when writing this book, but I really enjoyed it. And what’s interesting is there’s really no seafaring in this book. The protagonist Raef wants to set sail but never gets the chance because life (or death rather) happens. What we get instead is a story about a land caught up in the midst of civil war while multiple contenders for the throne battle it out to see who ends up on top. And by battles I mean battles, big and small. There’s plenty of stabby stabby (or choppy choppy because ya know…axes) for those of you who really love a good fight in your fantasy. Throw in some deities, half-gods, magical weapons and some freaky supernatural oracles and armies and BOOM a fun frolicking read is at hand!

And then there was the end…an end that could really be the end for everyone and everything…and it just ends!!!


So besides the choppy choppy, what else about the book stood out? Let’s start with our protagonist Raef. I found it interesting that I liked him because truth be told he isn’t very likable at first. He’s young, moody, and a little whiny, and he doesn’t always make good decisions. But that’s also kinda what I liked. By that I mean he isn’t perfect and has to really grow into his new role from being the son of a lord to being the lord proper. He still makes rash decisions and It allows for some good character development which takes some time to bear fruit. He has character flaws that he can’t always help falling into and that has consequences. Stories that play out consequences to actions are always a plus for me. 

There are a number of other characters in the book and if you were to ask me any areas where I was disappointed it might be here. Not in any of the characters themselves, but that we don’t get to see more of them. Specifically some who become close companions of Raef like the mysterious and elusive Vakre, and the shield maidens Siv and Eire. These three characters become bound up in Raef’s story and every time one appeared I perked up. They just added the right amount of extra flavor to any scene they were in. And with each there was this omnipresent sense that we don’t know enough about them, that there’s something hidden and maybe even questionable about them. Throughout the narrative I wondered whether Raef should trust them or not. It made for some good tension and I loved it. And I wanted MORE. I really look forward to seeing where these relationships go in future installments.

Writing and POV

What I noticed almost right away was how easily the book read. I don’t mean that it’s dumbed down and has easy vocabulary. What I mean is it FLOWED. It was just so easy to pick up, read, and keep reading. Greylock’s writing style just kept my eyes flowing over the words. I didn’t encounter weird stops or things that yanked me out of the story. I know this probably sounds simplistic but a book that just flows is so much more pleasurable to read than one that doesn’t. It set my mind at ease and let me relax and escape from the craziness of the world around us right now which is impressive given this isn’t a peaceful book.

The Blood Tainted Winter is told in the third person and always through Raef’s lens. This was an interesting change for me because it seems like most books I read these days if told from just one POV end up being in the first person. I’m happy with either one, but this seemed like a fresh change when it really isn’t (if that makes sense).

Magic System

What magic system?

OK, that isn’t right. There is magic in The Blood Tainted Winter it just isn’t really wielded by humans. What magic that is present is the power of the gods and it’s really only seen when the gods are interacting in the world. Let me say while magic systems are one of my favorite aspects of fantasy I LOVED this low magic world. It really helped the Norse mythological background come to the fore where humans are at the mercy of the gods and their power. 

The only time when a mortal has a magical power is if they possess a magical weapon or artifact…which is something handed down from the gods…so still the power of the gods. And while these artifacts and weapons are powerful they are not all powerful which means the characters must still survive on their wits and strength and relationships.

I take it back…there’s another exception to the rule about mortals and magic, and that’s when you encounter a half-god. These children of the gods live very long lives (maybe immortal themselves? Not sure) and seem to have other potential abilities. So they are more powerful than humans but still not on the same plane as the gods.

World Building

I’ve already discussed a number of the elements of the world Greylock has created in The Blood Tainted Winter but let’s dive in a little more. At its heart the story is set in Midgard which in Norse lore is our material plane of existence. But nothing indicates this is our earth; it’s Midgard, wherever that happens to be, which allows for a completely new world to be explored.

Beyond that its an early medieval period like you’d probably expect. With everything else I’ve described so far I guess I’d say it’s more sword and sorcery than anything else, but that doesn’t really seem to fit. It has epic world-wide implications and elements that begin to play themselves out but at the same time it feels very localized and sort of low fantasy. We aren’t shown anything of the world beyond the large kingdom within which the events take place. Is the rest of the world the same? How big is it? Those questions aren’t really answered in this installment which like I said gives it a more intimate feel.

Within this setting Greylock offers up a world filled with fortified towns spread among farms and villages in localized regions all ruled by lords and their allies and soldiers. There are mysterious oracles and half-gods who walk the earth while the true gods wield their influence in subtle and not-so-subtle ways. It’s a world where the geography really has a big impact on the story. Amidst all this everyone tries to live their lives in an honor and debt bound world where dying with your weapon in your hand is of paramount importance to assure your entrance into Valhalla. Then throw in a magical god-enhanced supernatural army and well…things begin to get intense.


The Blood Tainted Winter is a tale of betrayal and revenge. Those dual themes drive Raef’s character and his actions throughout the book. They are what order his thoughts and decisions for better or worse. In a constant dance with those two elements is the theme of friendship. Raef and his companions develop a friendship, each unique, and each driving Raef to different actions. What comes out of that mix is another theme, that of trust. Who is truly a friend; who is an enemy; who can be trusted. Because throughout the book Raef doesn’t really know. He thinks he knows but deep down can he be sure? And as a reader can we be sure? Greylock does and excellent job of keeping you guessing at whether Raef is being set-up and used, or if his friends really have his best interests at heart. You think they do, and you want them to, but there’s always something that leaves you uncertain and keeps you wondering.

In Conclusion

By this point it should be obvious I enjoyed this book. If you were unsure of that let me say I REALLY ENJOYED THIS BOOK! I’m a huge fan of fantasy battles and this one had plenty to keep it exciting. I’m also here for revenge stories coupled with the uncertainty of who you can really trust with all of the tension and danger that instills. And then there’s the added bonus of sitting down with a well written book that can just take you away to another realm for a while, a book that helps you forget about the world we are living in for a few hours at a time, a book that just lets you escape. The Blood Tainted Winter was all of that for me at just the right time.

I’m really looking forward to picking up book two in The Song Of The Ash Tree to see what Greylcok has in store for Raef, for Midgard, and for me.

– Jason

I won a copy of this book in a giveaway by the author. 

Author: T L Greylock
Series: The Song of The Ash Tree – First Edda
Publisher: Self Published (Grass Crown Press)
Publication Date: November 20, 2015
Format: Paperback
Pages: 368